Based on extensive fieldwork at two well-known commercial publishers of scholarly books, Walter W. Powell details the different ways in which both internal politics and external networks influence decisions about what should be published. Powell focuses on the work of acquisitions editors: how they decide which few manuscripts, out of hundreds, to sponsor for publication; how editorial autonomy is shaped, but never fully curbed, by unobtrusive controls; and how the search process fits into the social structure of the American academy. Powell's observations—and the many candid remarks of publishers and their staffs—recreate the workaday world of publishing.

Throughout, the sociology of organizations and of culture serves as Powell's interpretive framework. Powell shows how scholarly publishers help define what is "good" social science research and how the history and tradition of a publishing house contribute to the development of an organizational identity. Powell's review of actual correspondence, from outside letters proposing projects to internal "kill" letters of rejection, suggests that editors and authors at times form their own quasi-organization with external allegiances and bonds beyond those of the publishing house.

"This is a welcome addition to the literature on the life of the organizations that produce our science and our culture. Powell's intimate look at two scholarly publishing companies has an insider's appreciation of the book business and an outsider's eye for questions the editors are not asking themselves."—Michael Schudson, University of California at San Diego

"Getting Into Print will long be the book about how academic editors choose the titles they sponsor. Even experienced editors and authors will find new insights here and revealing comparisons with decision-making in other kinds of organizations."—Edward Tenner, Los Angeles Times Book Review

"Getting Into Print is an unusually outstanding ethnographic study in that it reflects the evocative richness of detail associated with the ethnographic approach while simultaneously maintaining a clear-headed, analytical distance from the subject that allows for a meaningful theoretical contribution. Powell is an astute ethnographer who presents a vital and compelling 'insider's view' of the decision-making process in scholarly publishing, making this book fascinating reading for all those involved in the 'publish-or-perish' syndrome."—Barbara Levitt, American Journal of Sociology

Scholars and social critics are looking at gender and sexuality, as well as masculinity, in new ways and with more attention to the way cultural ideologies affect men’s and women’s lives. With the rise of an online “incel” (involuntarily celibate) community and the perpetration of acts of violence in their name, as well as increased awareness about the complexities of sexual interaction brought to the fore by the #metoo movement, it has become critical to discuss how men’s sexuality and masculinity are related, as well as the way men feel about the messages they get about being a man. Prior research on masculinity and masculine sexuality has examined the experiences of adolescent boys. But what happens to boys as they become men and as many move away from homo-social environments into sexual relationships? What happens when they no longer have a crowd of peers to posture or perform for? How do their sexual experiences and sexual selves change? How do they prove their masculinity in a society that demands it when they are no longer surrounded by peers? And how do they cultivate sexual selves and sexual self-confidence in a culture that expects them to always already be knowledgeable, desiring sexual subjects? In Getting It, Having It, Keeping It Up, Beth Montemurro explores the cultivation of heterosexual men’s sexual selves. Based on detailed, in-depth interviews with a large, diverse group of  heterosexual men between the ages of 20 and 68, she investigates how getting sex, having sex, and keeping up their sex lives matters to men. Ultimately, Montemurro uncovers the tension between public, cultural narratives about hetero-masculinity and men’s private, sexual selves and their intimate experiences.
 

Ordinary Americans often bring family and neighborhood problems to court, seeking justice or revenge. The litigants in these local squabbles encounter law at its boundaries in the corridors of busy city courthouses, in the offices of court clerks, and in the church parlors used by mediation programs.

Getting Justice and Getting Even concerns the legal consciousness of working class Americans and their experiences with court and mediation. Following cases into and through the courts, Sally Engle Merry provides an ethnographic study of local law and of the people who use it in a New England city. The litigants, primarily white, native-born, and working class, go to court because as part of mainstream America they feel entitled to use its legal system. Although neither powerful nor highly educated, they expect the law's support when they face intolerable infringements of their rights, privacy, and safety. Yet as personal problems enter the legal system and move through mediation sessions, clerk's hearings, and prosecutor's conferences, the citizen plaintiff rapidly loses control of the process. Court officials and mediators interpret and characterize the meaning of these experiences, reframing and categorizing them in different discourses. Some plaintiffs yield to these interpretations, but others resist, struggling to assert their own version of the problem.

Ultimately, Merry exposes the paradox of legal entitlement. While going to court allows an individual to dominate domestic relationships, the litigant must increasingly yield control of the situation to the court that supplies that power.

From “getting loose” to “letting it all hang out,” the 1970s were filled with exhortations to free oneself from artificial restraints and to discover oneself in a more authentic and creative life. In the wake of the counterculture of the 1960s, anything that could be made to yield to a more impulsive vitality was reinvented in a looser way. Food became purer, clothing more revealing, sex more orgiastic, and home decor more rustic and authentic.

Through a sociological analysis of the countercultural print culture of the 1970s, Sam Binkley investigates the dissemination of these self-loosening narratives and their widespread appeal to America’s middle class. He describes the rise of a genre of lifestyle publishing that emerged from a network of small offbeat presses, mostly located on the West Coast. Amateurish and rough in production quality, these popular books and magazines blended Eastern mysticism, Freudian psychology, environmental ecology, and romantic American pastoralism as they offered “expert” advice—about how to be more in touch with the natural world, how to release oneself into trusting relationships with others, and how to delve deeper into the body’s rhythms and natural sensuality. Binkley examines dozens of these publications, including the Whole Earth Catalog, Rainbook, the Catalog of Sexual Consciousness, Celery Wine, Domebook, and Getting Clear.

Drawing on the thought of Pierre Bourdieu, Zygmunt Bauman, and others, Binkley explains how self-loosening narratives helped the middle class confront the modernity of the 1970s. As rapid social change and political upheaval eroded middle-class cultural authority, the looser life provided opportunities for self-reinvention through everyday lifestyle choice. He traces this ethos of self-realization through the “yuppie” 1980s to the 1990s and today, demonstrating that what originated as an emancipatory call to loosen up soon evolved into a culture of highly commercialized consumption and lifestyle branding.

The United States remains the only industrialized nation in the world that does not provide paid family leave at the national level for either men or women. In the more than two decades since the passage of the Family and Medical Leave Act, there have been numerous unsuccessful attempts to expand family leave benefits nationally. However, in the United States, it is common for innovations in family policies to arise at the state level.

In her timely book, Getting Paid While Taking Time, Megan Sholar explains the development of family leave policies at both the national and state levels in the United States. She provides cogent studies of states that have passed and proposed family leave legislation, and she pays special attention to the ways in which women’s movement actors and other activists (e.g., labor unions) exert pressure on public officials to help influence the policymaking process. In her conclusion, Sholar considers the future of paid family leave policies in the United States and the chances for it ever equaling the benefits in other countries. 

Each of the past few election cycles has featured at least one instance of "primarying," a challenge to an incumbent on the grounds that he or she is not sufficiently partisan. For many observers, such races signify an increasingly polarized electorate and an increasing threat to moderates of both parties.

In Getting Primaried, Robert G. Boatright shows that primary challenges are not becoming more frequent; they wax and wane in accordance with partisan turnover in Congress. The recent rise of primarying corresponds to the rise of national fundraising bases and new types of partisan organizations supporting candidates around the country. National fundraising efforts and interest group–supported primary challenges have garnered media attention disproportionate to their success in winning elections. Such challenges can work only if groups focus on a small number of incumbents.

Getting Primaried makes several key contributions to congressional scholarship. It presents a history of congressional primary challenges over the past forty years, measuring the frequency of competitive challenges and distinguishing among types of challenges. It provides a correction to accounts of the link between primary competition and political polarization. Further, this study offers a new theoretical understanding of the role of interest groups in congressional elections.

"A readable and concise overview of how U.S. transportation came to its present pass. . . . Goddard is at his best when recounting the complex and interesting history of what has come to be called 'the highway lobby.'. . . An excellent book for the general reader with an interest in getting around."—Larry Fish, Philadelphia Inquirer

"This is a riveting story: of mighty railroads hamstrung almost overnight by government bureaucrats; of road interests led by General Motors Corp. conspiring in city after city to destroy efficient trolley systems . . . and of freeways that are far from free."—Bill Laitner, Detroit Free Press

"The combination of forces and fates that turned America into a giant parking lot from sea to shining sea is the subject of Stephen B. Goddard's lively pop history. . . . As Mr. Goddard ably points out, road-building and the creation of car-dependent suburbs have become ends in themselves."—James Howard Kunstler, Wall Street Journal

"The strength of Goddard's book is that he understands the complexities of manipulating public opinion to influence legislatures."—David Young, Chicago Tribune

"[Goddard's] book is a deft and easily read history of how transportation has shaped the nation and its economy, and ultimately, how a federation of truck and car interests drastically tilted national policies. . . . For many reasons this is an exceptionally important work."—Jim Dwyer, New York Newsday

This collection of letters bears witness to the Civil War of the common soldiers and junior officers of the Army of Tennessee. Brothers Alex and Tom Spence described to their family in detail not only the many battles in which they served, but the hardship of campaigning (they marched literally thousands of miles), the pride of serving in battle-proven units, and the pain of losing comrades to bullets and disease. The Spences were a wealthy family who owned land, slaves, and the main hotel in Arkadelphia, Arkansas. With their successful careers and extensive property, they were among Clark County's most prominent families when the shadow of secession fell across Arkansas. Four years later, Arkansas would be ravaged by war, and Tom and Alex Spence would lie in soldiers' graves, far from home. Mark Christ has assembled their powerful letters from a collection in the Old State House Museum, weaving in other letters from their extended family and friends, brief but thorough introductions to each chapter, and evocative photographs. The story moves chronologically from the outset of war to the final letter from Alex's grieving fiancée.

This new edition of The Geysers of Yellowstone is the most up-to-date and comprehensive reference to the geysers of Yellowstone National Park, describing in detail each of the more than five hundred geysers in the park. The entire text has been revised and geyser descriptions have been updated based on activity observed through early 2018. Information about a number of significant new geyser developments has been added, as well as recent knowledge about some of the world’s geyser fields outside Yellowstone.
 
Both a reference work and a fine introduction to the nature of geyser activity, this popular field guide includes a glossary of key terms, a comprehensive appendix that discusses other geyser areas of the world, detailed maps of each geyser basin, and tables for easy reference. The Geysers of Yellowstone will continue to serve geyser gazers as well as newcomers to geothermal phenomena for years to come.
 

The story of the American mining frontier can be traced through the ghost towns that dot the western landscape to this day, from the camps of California’s forty-niners to the twentieth-century ruins in the Nevada desert. These abandoned towns mark an epoch of high adventure, of quick wealth and quicker poverty, of gambling and gunslinging and hell-raising. Those who have seen the Old West movies sometimes think that the legends of the Wild West were invented by screenwriters. The ghost towns remain, and their battered ruins testify that the legends are true. Behind the tall tales is a history where a fortune could be made in a week and lost over the course of an evening.

With a historian’s attention to fact and a novelist’s gift for dramatic storytelling, celebrated science fiction author Robert Silverberg brings these adventures back to life in the rowdy splendor of their heyday in Ghost Towns of the American West. History and travelers’ tales are woven together with clarity and wit to create a lively account of a fascinating era in our history. Lorence Bjorklund’s illustrations, rich in detail, portray the ghost towns in their glory and in their dusty decline.

The story of the American mining frontier can be traced through the ghost towns that dot the western landscape to this day, from the camps of California’s forty-niners to the twentieth-century ruins in the Nevada desert. These abandoned towns mark an epoch of high adventure, of quick wealth and quicker poverty, of gambling and gunslinging and hell-raising. Those who have seen the Old West movies sometimes think that the legends of the Wild West were invented by screenwriters. The ghost towns remain, and their battered ruins testify that the legends are true. Behind the tall tales is a history where a fortune could be made in a week and lost over the course of an evening.

With a historian’s attention to fact and a novelist’s gift for dramatic storytelling, celebrated science fiction author Robert Silverberg brings these adventures back to life in the rowdy splendor of their heyday in Ghost Towns of the American West. History and travelers’ tales are woven together with clarity and wit to create a lively account of a fascinating era in our history. Lorence Bjorklund’s illustrations, rich in detail, portray the ghost towns in their glory and in their dusty decline.

In this exceptional book, Kucich reveals through his readings of literary and historical accounts that spiritualism helped shape the terms by which Native American, European, and African cultures interacted in America from the earliest days of contact through the present. Beginning his study with a provocative juxtaposition of the Pueblo Indian Revolt and the Salem Witchcraft trials of the seventeenth century, Kucich examin[e]s how both events forged “contact zones”— spaces of intense cultural conflict and negotiation—mediated by spiritualism. Kucich goes on to chronicle how a diverse group of writers used spiritualism to reshape a range of such contact zones. These include Rochester, New York, where Harriet Jacobs adapted the spirit rappings of the Fox Sisters and the abolitionist writings of Frederick Douglass as she crafted her own story of escape from slavery; mid-century periodicals from the Atlantic Monthly to the Cherokee Advocate to the Anglo-African Magazine; post-bellum representations of the afterlife by Elizabeth Stuart Phelps, Mark Twain and the Native Americans who developed the Ghost Dance; turn-of-the-century local color fiction by writers like Sarah Orne Jewett, Charles Chesnutt and Maria Cristina Mena; and the New England reformist circles traced in Henry James’s The Bostonians and Pauline Hopkins’s Of One Blood. Kucich’s conclusion looks briefly at New Age spiritualism, then considers the implications of a cross-cultural scholarship that draws on a variety of critical methodologies, from border and ethnic studies to feminism to post-colonialism and the public sphere. The implications of this study, which brings well-known, canonical writers and lesser-known writers into conversation with one another, are broadly relevant to the resurgent interest in religious studies and American cultural studies in general.

From Sylvia Plath’s depictions of the Holocaust as a group of noncohering “bits” to AIDS elegies’ assertions that the dead posthumously persist in ghostly form and Susan Howe’s insistence that the past can be conveyed only through juxtaposed “scraps,” the condition of being too late is one that haunts post-World War II American poetry. This is a poetry saturated with temporal delay, partial recollection of the past, and the revelation that memory itself is accessible only in obstructed and manipulated ways. These postwar poems do not merely describe the condition of lateness: they enact it literally and figuratively by distorting chronology, boundary, and syntax, by referring to events indirectly, and by binding the condition of lateness to the impossibility of verifying the past. The speakers of these poems often indicate that they are too late by repetitively chronicling distorted events, refusing closure or resolution, and forging ghosts out of what once was tangible.

Ghostly Figures contends that this poetics of belatedness, along with the way it is bound to questions of poetic making, is a central, if critically neglected, force in postwar American poetry. Discussing works by Sylvia Plath, Adrienne Rich, Jorie Graham, Susan Howe, and a group of poets responding to the AIDS epidemic, Ann Keniston draws on and critically assesses trauma theory and psychoanalysis, as well as earlier discussions of witness, elegy, lyric trope and figure, postmodernism, allusion, and performance, to define the ghosts that clearly dramatize poetics of belatedness throughout the diverse poetry of post–World War II America.

“Failing schools. Underprivileged schools. Just plain bad schools.”
 
That’s how Eve L. Ewing opens Ghosts in the Schoolyard: describing Chicago Public Schools from the outside. The way politicians and pundits and parents of kids who attend other schools talk about them, with a mix of pity and contempt.
 
But Ewing knows Chicago Public Schools from the inside: as a student, then a teacher, and now a scholar who studies them. And that perspective has shown her that public schools are not buildings full of failures—they’re an integral part of their neighborhoods, at the heart of their communities, storehouses of history and memory that bring people together.
 
Never was that role more apparent than in 2013 when Mayor Rahm Emanuel announced an unprecedented wave of school closings. Pitched simultaneously as a solution to a budget problem, a response to declining enrollments, and a chance to purge bad schools that were dragging down the whole system, the plan was met with a roar of protest from parents, students, and teachers. But if these schools were so bad, why did people care so much about keeping them open, to the point that some would even go on a hunger strike?
 
Ewing’s answer begins with a story of systemic racism, inequality, bad faith, and distrust that stretches deep into Chicago history. Rooting her exploration in the historic African American neighborhood of Bronzeville, Ewing reveals that this issue is about much more than just schools. Black communities see the closing of their schools—schools that are certainly less than perfect but that are theirs—as one more in a long line of racist policies. The fight to keep them open is yet another front in the ongoing struggle of black people in America to build successful lives and achieve true self-determination.

Drift down the Colorado River through Glen Canyon and explore the people and places that encompass the history of this majestic canyon before it drowned in the rising waters of Lake Powell.
Author Gregory Crampton led the historical investigations of Glen and San Juan Canyons from 1957 to 1963 under contract with the National Park Service. The objective was to locate and record historical sites that would be lost to the rising waters of the reservoir. This book records that effort.

First published in 1986, this edition has been revised to include several new “ghosts” of Glen Canyon, including a never-before-published foreword by Edward Abbey. It also showcases stunning color photographs by Philip Hyde and includes hundreds of black-and-white photographs taken by the original salvage crews.

This informative guide to the historic treasures of Glen Canyon includes numbered maps keyed to each location. It is a book for both the armchair traveler and the lake enthusiast eager for a journey through the past to a place few had the privilege to know.

Since the second quarter of the nineteenth century, changing conditions have built and emptied small and large towns across the Colorado plain. At the time when Denver was little more than an overpopulated campsite along Cherry Creek there were numerous other settlements to the east and south, each with its own dreams of growth, gold or silver strikes, railroad connections, and rising influence over the surrounding territory. In Ghosts of the Colorado Plains, Eberhart traces some 150 of these ill-fated settlements, providing accounts of their birth, peak activity, and ultimate demise.

As early trapping, mining, cattle, farming, and transportation industries brought successive waves of “easterners” into the territory, they created some of the most colorful communities of their time. The trail towns Boston and Trail City were reputed to be two of the roughest towns in the entire west. Real estate schemers and promoters offered dreams of civilization and respectability in the “cow towns.” Elsewhere, the stage stations, side of the road settlements, and farm centers arose out of the basic necessities of commerce and from a simple desire of far-flung settlers, trappers, and others for a place to congregate, celebrate, trade, brawl, and receive news from the east. Though the personalities and events which animated these communities are all but forgotten, the towns themselves are the legacy of the competing forces that opened and developed the Colorado territory.

Readers of Guide to Colorado Ghost Towns and Mining Camps will welcome Ghosts of the Colorado Plains as an extension of Eberhart’s colorful blend of history and on-site information to a larger and much neglected area of the state. Through historical records, vignettes of personalities, and over 250 photos and 80 maps, Eberhart provides ready access to the towns and settlment sites of eastern Colorado’s past. For travelers, Ghosts of the Colorado Plains offers numerous pleasant excursions and investigations; for those less inclined to take to the field in search of artifacts and sites, the book offers fascinating glimpses of Colorado’s disappearing past.

The Creature from the Black Lagoon, the Tingler, the Mole People—they stalked and oozed into audiences’ minds during the era that followed Boris Karloff’s Frankenstein and preceded terrors like Freddy Krueger (A Nightmare on Elm Street) and Chucky (Child’s Play). Ghouls, Gimmicks, and Gold pulls off the masks and wipes away the slime to reveal how the monsters that frightened audiences in the 1950s and 1960s—and the movies they crawled and staggered through—reflected fundamental changes in the film industry. Providing the first economic history of the horror film, Kevin Heffernan shows how the production, distribution, and exhibition of horror movies changed as the studio era gave way to the conglomeration of New Hollywood.

Heffernan argues that major cultural and economic shifts in the production and reception of horror films began at the time of the 3-d film cycle of 1953–54 and ended with the 1968 adoption of the Motion Picture Association of America’s ratings system and the subsequent development of the adult horror movie—epitomized by Rosemary’s Baby. He describes how this period presented a number of daunting challenges for movie exhibitors: the high costs of technological upgrade, competition with television, declining movie attendance, and a diminishing number of annual releases from the major movie studios. He explains that the production and distribution branches of the movie industry responded to these trends by cultivating a youth audience, co-producing features with the film industries of Europe and Asia, selling films to television, and intensifying representations of sex and violence. Shining through Ghouls, Gimmicks, and Gold is the delight of the true horror movie buff, the fan thrilled to find The Brain that Wouldn’t Die on television at 3 am.

Marilyn Ann Moss’s Giant examines the life of one of the most influential directors to work in Hollywood from the 1930s to the 1960s. George Stevens directed such popular and significant films as Shane, Giant, A Place in the Sun, and The Diary of Anne Frank. He was the first to pair Katharine Hepburn and Spencer Tracy on film in Woman of the Year. Through the study of Stevens’s life and his production history, Moss also presents a glimpse of the workings of the classic Hollywood studio system in its glory days.
            Moss documents Stevens’s role as a powerful director who often had to battle the heads of major studios to get his films made his way. She traces the four decades Stevens was a major Hollywood player and icon, from his earliest days at the Hal Roach Studios—where he learned to be a cameraman, writer, and director for Laurel and Hardy features—up to when his films made millions at the box office and were graced by actors such as Elizabeth Taylor, James Dean, Alan Ladd, and Montgomery Clift.

Gibbons v. Ogden, Law, and Society in the Early Republic examines a landmark decision in American jurisprudence, the first Supreme Court case to deal with the thorny legal issue of interstate commerce.

Decided in 1824, Gibbons v. Ogden arose out of litigation between owners of rival steamboat lines over passenger and freight routes between the neighboring states of New York and New Jersey. But what began as a local dispute over the right to ferry the paying public from the New Jersey shore to New York City soon found its way into John Marshall’s court and constitutional history. The case is consistently ranked as one of the twenty most significant Supreme Court decisions and is still taught in constitutional law courses, cited in state and federal cases, and quoted in articles on constitutional, business, and technological history.

Gibbons v. Ogden initially attracted enormous public attention because it involved the development of a new and sensational form of technology. To early Americans, steamboats were floating symbols of progress—cheaper and quicker transportation that could bring goods to market and refinement to the backcountry. A product of the rough-and-tumble world of nascent capitalism and legal innovation, the case became a landmark decision that established the supremacy of federal regulation of interstate trade, curtailed states’ rights, and promoted a national market economy. The case has been invoked by prohibitionists, New Dealers, civil rights activists, and social conservatives alike in debates over federal regulation of issues ranging from labor standards to gun control. This lively study fills in the social and political context in which the case was decided—the colorful and fascinating personalities, the entrepreneurial spirit of the early republic, and the technological breakthroughs that brought modernity to the masses.

 

During star-pitcher Bob Gibson’s most brilliant season, the turbulent summer of 1968, he started thirty-four games and pitched every inning in twenty-eight of them, shutting out the opponents in almost half of those complete games. After their record-breaking season, Gibson and his teammates were stunned to lose the 1968 World Series to the Detroit Tigers. For the next six years, as Bob Gibson struggled to maintain his pitching excellence at the end of his career, changes in American culture ultimately changed the St. Louis Cardinals and the business and pastime of baseball itself.

Set against the backdrop of American history and popular culture, from the protests of the Vietnam War to the breakup of the Beatles, the story of the Cardinals takes on new meaning as another aspect of the changes happening at that time. In the late 1960s, exorbitant salaries and free agency was threatening to change America’s game forever and negatively impact the smaller-market teams in Major League Baseball. As the Cardinals’ owner August A. Busch Jr. and manager Albert “Red” Schoendienst attempted to reinvent the team, restore its cohesiveness, and bring new blood in to propel the team back to contention for the pennant, Gibson remained the one constant on the team.

In looking back on his career, Gibson mourned the end of the Golden Era of baseball and believed that the changes in the game would be partially blamed on him, as his pitching success caused team owners to believe that cash-paying customers only wanted base hits and home runs. Yet, he contended, the shrinking of the strike zone, the lowering of the mound, and the softening of the traditional rancor between the hitter and pitcher forever changed the role of the pitcher in the game and created a more politically correct version of the sport.

Throughout Gibson’s Last Stand, Doug Feldmann captivates readers with the action of the game, both on and off the field, and interjects interesting and detailed tidbits on players’ backgrounds that often tie them to famous players of the past, current stars, and well-known contemporary places. Feldmann also entwines the teams history with Missouri history: President Truman and the funeral procession for President Eisenhower through St. Louis; Missouri sports legends Dizzy Dean, Mark McGwire, and Stan “the Man” Musial; and legendary announcers Harry Caray and Jack Buck. Additionally, a helpful appendix provides National League East standings from 1969 to 1975.

Bob Gibson remains one of the most unique, complex, and beloved players in Cardinals history. In this story of one of the least examined parts of his career—his final years on the team—Feldmann takes readers into the heart of his complexity and the changes that swirled around him.

In The Gift of Freedom, Mimi Thi Nguyen develops a new understanding of contemporary United States empire and its self-interested claims to provide for others the advantage of human freedom. Bringing together critiques of liberalism with postcolonial approaches to the modern cartography of progress, Nguyen proposes "the gift of freedom" as the name for those forces that avow to reverence aliveness and beauty, and to govern an enlightened humanity, while producing new subjects and actions—such as a grateful refugee, or enduring war—in an age of liberal empire. From the Cold War to the global war on terror, the United States simultaneously promises the gift of freedom through war and violence and administers the debt that follows. Focusing here on the figure of the Vietnamese refugee as the twice-over target of the gift of freedom—first through war, second through refuge—Nguyen suggests that the imposition of debt precludes the subjects of freedom from escaping those colonial histories that deemed them "unfree." To receive the gift of freedom then is to be indebted to empire, perhaps without end.

The Girls' History and Culture Reader: The Twentieth Century provides scholars, instructors, and students with the most influential essays that have defined the field of American girls' history and culture. A relatively new and energetic field of inquiry, girl-centered research is critical for a fuller understanding of women and gender, a deeper consideration of childhood and adolescence, and a greater acknowledgment of the significance of generation as a historical force in American culture and society.

 

Bringing together work from top scholars of women and youth, The Girls' History and Culture Reader: The Twentieth Century illustrates girls' centrality to major twentieth-century forces such as immigration, labor, feminism, and consumerism. Themes in this pioneering volume include girls' use of fashion and music, their roles as workers, their friendships, and new ideas about girls' bodies. While girls in the twentieth century found new avenues for personal ambition and self-expression, especially at school and in the realm of leisure and popular culture, they continued to wrestle with traditional ideas about feminine identity, socialization, and sexuality.

 

Contributors are Joan Jacobs Brumberg, Rachel Devlin, Susan J. Douglas, Miriam Forman-Brunell, Kyra D. Gaunt, Mary Celeste Kearney, Ilana Nash, Mary Odem, Leslie Paris, Kathy Peiss, Vicki L. Ruiz, Kelly Schrum, and Judy Yung.

"C.L. Franklin, the most imitated soul preacher in history, was a combination of soul and science and substance and sweetness."--Reverend Jesse L. Jackson, from the Foreword
Few black preachers have been better known that the Reverend C. L. Franklin; none has been considered a better preacher. This collection of twenty of Franklin's best sermons shows the development of his style. A learned man, Franklin had attended both seminary and college, yet in his sermons used the old-fashioned, extemporaneous style of preaching, "whooping" or chanting, combining oratory and intoned poetry to reach both head and heart.
Dozens of Franklin's sermons were released on record albums, and he went on preaching tours with gospel groups that included his daughter, Aretha Franklin, reaching virtually every corner of the United States.
This volume begins with Franklin's life history, told in his own words.
In an afterword, Jeff Titon reviews the African-American sermon tradition
and Franklin's place in it.
 

In this candid and revelatory memoir, Erin O. White shares her hunger for both romantic and divine love, and how these desires transformed her life. In the late 1990s, she spent Saturday nights with her girlfriend and Sunday mornings in Catholic confirmation classes. But when the Church closed its doors to her, she was faced with a question: What does a lesbian believer do with her longing for God? Given Up for You explores these yearnings with bittersweet conviction, plumbing the depths of heart and soul.

In Giving Glory to God in Appalachia, Howard Dorgan explores the worship practices of Primitive, Regular, Old Regular, Union, Missionary, and Free Will Baptists. The worship practices of the denominations under consideration are varied and often exuberant, and Dorgan's writing is highly evocative, conveying in rich detail the joy and pathos of worship in these mountain churches.

As Dorgan states in the introduction, he is less concerned with academic theorizing and more concerned with presenting a vivid, first-hand account of all that he has seen and heard. And in the nearly fifteen years he spent researching his book, Dorgan saw quite a lot: spirited, vociferous sermons, creek baptisms, foot washings, home comings, dinners on the ground, and evangelistic radio broadcasts. Dorgan's prose is at its most enchaining when he presents tableaus of these phenomena: a foot washing precipitates the erasure of interpersonal turmoil between two women; a preacher uses his lively mode of sermonic delivery to orchestrate the rapturous shouts and "hollers" of a group of women; a radio evangelist exhorts a recent widower to except salvation. The wonderful pictures interspersed throughout the book and the transcription of sermons help to further reify the worship scenes that Dorgan describes.

At times, Dorgan's prose is intensely personal. Dorgan is always aware that he is writing about sets of shared values and worship practices that mean a great deal to the congregations he is studying, and Dorgan treats his subjects and their beliefs with tremendous sensitivity and respect. Ultimately, Dorgan is writing about people and the ways in which they invest their lives with meaning and purpose. This gives Giving Glory to God in Appalachia a universal appeal: even readers who find the religious settings in the book completely alien will be able to sympathize with the congregations' search for meaning.

To sum up: Dorgan has written a beautiful, enthralling book. Don't think--just buy. And while you're at it, you might want to consider Airwaves Of Zion: Radio Religion In Appalachia
(ISBN-10: 0870497979), also by Dorgan.

Bristol takes readers on a journey through the history of Glacier National Park, beginning over a billion years ago from the formation of the Belt Sea, to the present day climate-changing extinction of the very glaciers that sculpted most of the wonders of its landscapes. He delves into the ways in which this area of Montana seemed to have been preparing itself for the coming of humankind through a series of landmass adjustments like the Lewis Overthrust and the ice ages that came and went.
 
First there were tribes of Native Americans whose deep regard for nature left the landscape intact. They were followed by Euro-American explorers and settlers who may have been awed by the new lands, but began to move wildlife to near extinction. Fortunately for the area that would become Glacier, some began to recognize that laying siege to nature and its bounties would lead to wastelands.
 
Bristol recounts how a renewed conservation ethic fostered by such leaders as Emerson, Thoreau, Olmstead, Muir, and Teddy Roosevelt took hold. Their disciples were Grinnell, Hill, Mather, Albright, and Franklin Roosevelt, and they would not only take up the call but rally for the cause. These giants would create and preserve a park landscape to accommodate visitors and wilderness alike.

Robert H. Schuller’s ministry—including the architectural wonder of the Crystal Cathedral and the polished television broadcast of Hour of Power—cast a broad shadow over American Christianity. Pastors flocked to Southern California to learn Schuller’s techniques. The President of United States invited him sit prominently next to the First Lady at the State of the Union Address. Muhammad Ali asked for the pastor’s autograph. It seemed as if Schuller may have started a second Reformation. And then it all went away. As Schuller’s ministry wrestled with internal turmoil and bankruptcy, his emulators—including Rick Warren, Bill Hybels, and Joel Osteen— nurtured megachurches that seemed to sweep away the Crystal Cathedral as a relic of the twentieth century. How did it come to this?

Certainly, all churches depend on a mix of constituents, charisma, and capital, yet the size and ambition of large churches like Schuller’s Crystal Cathedral exert enormous organizational pressures to continue the flow of people committed to the congregation, to reinforce the spark of charismatic excitement generated by high-profile pastors, and to develop fresh flows of capital funding for maintenance of old projects and launching new initiatives. The constant attention to expand constituencies, boost charisma, and stimulate capital among megachurches produces an especially burdensome strain on their leaders. By orienting an approach to the collapse of the Crystal Cathedral on these three core elements—constituency, charisma, and capital—The Glass Church demonstrates how congregational fragility is greatly accentuated in larger churches, a notion we label megachurch strain, such that the threat of implosion is significantly accentuated by any failures to properly calibrate the inter-relationship among these elements.

 The headline, “Where Glass is King,” emblazoned Toledo newspapers in early 1888, before factories in the Ohio city had even produced their first piece of glass. After years of struggling to find an industrial base, Toledo had attracted Edward Drummond Libbey and his struggling New England Glass Company to the shores of the Maumee River, and many felt Toledo’s potential as “The Future Great City of the World” would at last be realized.

At the end of the nineteenth century, Pittsburgh was leading the nation in glass production, and glass bottle plants in particular relied heavily on adolescent (and younger) males for their manufacturing process. These “glass house boys” worked both day and night, as plants ran around the clock to meet production demands and remain price competitive with their newly-automated rivals. Boys performed menial tasks, received low wages, and had little to say on their own behalf.

By the turn of the century, most states had enacted laws banning children from working at night, and coupled with compulsory education requirements, had greatly reduced the use of children in industry. In western Pennsylvania, however, child labor was deeply entrenched, and Pennsylvania lawmakers lagged far behind the rest of the nation. In The Glass House Boys of Pittsburgh, James L. Flannery presents an original and compelling examination of legislative clashes over the singular issue of the glass house boys. He reveals the many societal, economic, and political factors at work that allowed for the perpetuation of child labor in this industry and region.

Through extensive research in Pennsylvania state legislature archives, National Child Labor Committee reports, and union and industry journals, Flannery uncovers a complex web of collusion between union representatives, industrialists, and legislators that kept child labor reform at bay. Despite national pressure, a concerted effort by reformers, and changes to education laws, the slow defeat of the “glass house exception” in 1915 came about primarily because of technological advances in the glass bottle industry that limited the need for child labor.

In 1956, Congress passed legislation that provided authorization and funds for emergency research to be conducted in Glen Canyon in response to the threat of losses posted by the construction of the Glen Canyon Dam in northern Arizona. For eight years, scientists worked against the clock to record the archaeology, geology, history, and paleontology of the region before the waters of Lake Powell covered the area.

In this highly interpretive summary, Jesse Jennings preserves the achievements of the salvage team and explains how the finds affected previous conclusions. Maps and photographs capture archaeological artifacts as well as the landscape of the area. This book also highlights the larger consequences of the massive salvage project — among them the stimulation of additional Southwest research, the applications of techniques made in response to emergency situations, and a valuable perspective on the Pueblo culture. Because this area is becoming increasingly controversial, with a raging debate over whether Lake Powell should be drained, Glen Canyon: An Archaeological Summary stands as more than a model of salvage archaeology. It is also a record and testament of the rich history of Glen Canyon.

Glenn Ford—star of such now-classic films as Gilda, Blackboard Jungle, The Big Heat, 3:10 to Yuma, and The Rounders—had rugged good looks, a long and successful career, and a glamorous Hollywood life. Yet the man who could be accessible and charming on screen retreated to a deeply private world he created behind closed doors.
    Glenn Ford: A Life chronicles the volatile life, relationships, and career of the renowned actor, beginning with his move from Canada to California and his initial discovery of theater. It follows Ford’s career in diverse media—from film to television to radio—and shows how Ford shifted effortlessly between genres, playing major roles in dramas, noir, westerns, and romances.
    This biography by Glenn Ford’s son, Peter Ford, offers an intimate view of a star’s private and public life. Included are exclusive interviews with family, friends, and professional associates, and snippets from the Ford family collection of diaries, letters, audiotapes, unpublished interviews, and rare candid photos. This biography tells a cautionary tale of Glenn Ford’s relentless infidelities and long, slow fade-out, but it also embraces his talent-driven career. The result is an authentic Hollywood story that isn’t afraid to reveal the truth.

As a writer, Glenway Wescott (1901–1987) left behind several novels, including The Grandmothers and The Pilgrim Hawk, noted for their remarkable lyricism. As a literary figure, Wescott also became a symbol of his times. Born on a Wisconsin farm in 1901, he associated as a young writer with Hemingway, Stein, and Fitzgerald in 1920s Paris and subsequently was a central figure in New York’s artistic and gay communities. Though he couldn’t finish a novel after the age of forty-five, he was just as famous as an arts impresario, as a diarist, and for the company he kept: W. H. Auden, Christopher Isherwood, Marianne Moore, Somerset Maugham, E. M. Forster, Joseph Campbell, and scores of other luminaries.
     In Glenway Wescott Personally, Jerry Rosco chronicles Wescott’s long and colorful life, his early fame and later struggles to write, the uniquely privileged and sometimes tortured world of artistic creation. Rosco sensitively and insightfully reveals Wescott’s private life, his long relationship with Museum of Modern Art curator Monroe Wheeler, his work with sex researcher Alfred Kinsey that led to breakthrough findings on homosexuality, and his kinship with such influential artists as Jean Cocteau, George Platt-Lynes, and Paul Cadmus.

George W. Stocking, Jr., has spent a professional lifetime exploring the history of anthropology, and his findings have shaped anthropologists’ understanding of their field for two generations. Through his meticulous research, Stocking has shown how such forces as politics, race, institutional affiliations, and personal relationships have influenced the discipline from its beginnings. In this autobiography, he turns his attention to a subject closer to home but no less challenging. Looking into his own “black box,” he dissects his upbringing, his politics, even his motivations in writing about himself. The result is a book systematically, at times brutally, self-questioning.
    An interesting question, Stocking says, is one that arouses just the right amount of anxiety. But that very anxiety may be the ultimate source of Stocking’s remarkable intellectual energy and output. In the first two sections of the book, he traces the intersecting vectors of his professional and personal lives. The book concludes with a coda, “Octogenarian Afterthoughts,” that offers glimpses of his life after retirement, when advancing age, cancer, and depression changed the tenor of his reflections about both his life and his work.
    This book is the twelfth and final volume of the influential History of Anthropology series.

Countries around the world are heatedly debating whether property should be a constitutional right. But American lawyers have largely ignored this debate, which is divided into two clear camps: those who believe making property a constitutional right undermines democracy by fostering inequality, and those who believe it provides the security necessary to make democracy possible. In The Global Debate over Constitutional Property, Gregory Alexander recasts this discussion, arguing that both sides overlook a key problem: that constitutional protection, or lack thereof, has little bearing on how a society actually treats property.

A society’s traditions and culture, Alexander argues, have a much greater effect on property rights. Laws must aim, then, to change cultural ideas of property, rather than deem whether one has the right to own it. Ultimately, Alexander builds a strong case for improving American takings law by borrowing features from the laws of other countries—particularly those laws based on the idea that owning property not only confers rights, but also entails responsibilities to society as a whole.

This daring collaborative effort showcases dialogues between international scholars engaged with the United States from abroad. The writers investigate the analytic methods and choices that label certain talk, images, behaviors, and allusions as "American" and how to read the data on such material. The editors present the essays in pairs that overlap in theme or region. Each author subsequently comments on the other's work. A third scholar or team of scholars from a different discipline or geographic location then provides another level of analysis. Contributors: Andrzej Antoszek, Sophia Balakian, Zsófia Bán, Sabine Bröck, Ian Condry, Kate Delaney, Jane C. Desmond, Virginia R. Dominguez, Ira Dworkin, Richard Ellis, Guillermo Ibarra, Seyed Mohammad Marandi, Giorgio Mariani, Ana Mauad, Loes Nas, Edward Schatz, Manar Shorbagy, Kristin Solli, Amy Spellacy, and Michael Titlestad.

The racial and ethnic composition of Philadelphia continues to diversify as a new wave of immigrants—largely from Asia and Latin America—reshape the city’s demographic landscape. Moreover, in a globalized economy, immigration is the key to a city’s survival and competitiveness. The contributors to Global Philadelphia examine how Philadelphia has affected its immigrants’ lives, and how these immigrants, in turn, have shaped Philadelphia.

Providing a detailed historical, ethnographic, and sociological look at Philadelphia’s immigrant communities, this volume examines the social and economic dynamics of various ethnic populations. Significantly, the contributors make comparisons to and connections between the traditional immigrant groups—Germans, Italians, the Irish, Jews, Puerto Ricans, and Chinese—and newer arrivals, such as Cambodians, Haitians, Indians, Mexicans, and African immigrants of various nationalities.

While their experiences vary, Global Philadelphia focuses on some of the critical features that face all immigrant groups—intra-group diversity, the role of institutions, and ties to the homeland. Taken together, these essays provide a richer understanding of the processes and implications of contemporary immigration to the area.

For decades the United States has been the most dominant player on the world’s stage. The country’s economic authority, its globally forceful foreign policy, and its leading position in international institutions tend to be seen as the result of a long-standing, deliberate drive to become a major global force. Furthermore, it has become widely accepted that American exceptionalism—the belief that America is a country like no other in history—has been at the root of many of the country’s political, military, and global moves. Frank Ninkovich disagrees.  

One of the preeminent intellectual historians of our time, Ninkovich delivers here his most ambitious and sweeping book to date. He argues that historically the United States has been driven not by a belief in its destiny or its special character but rather by a need to survive the forces of globalization. He builds the powerful case that American foreign policy has long been based on and entangled in questions of global engagement, while also showing that globalization itself has always been distinct from—and sometimes in direct conflict with—what we call international society. 

In the second half of the twentieth century, the United States unexpectedly stumbled into the role of global policeman and was forced to find ways to resolve international conflicts that did not entail nuclear warfare. The United States's decisions were based less in notions of exceptionalism and more in a need to preserve and expand a flourishing global society that had become essential to the American way of life.

Sure to be controversial, The Global Republic compellingly and provocatively counters some of the deepest and most common misconceptions about America’s history and its place in the world.

Globalizing Afghanistan offers a kaleidoscopic view of Afghanistan and the global networks of power, influence, and representation in which it is immersed. The military and nation-building interventions initiated by the United States in reaction to the events of September 11, 2001, are the background and motivation for this collection, but they are not the immediate subject of the essays. Seeking to understand the events of the past decade in a broad frame, the contributors draw on cultural and postcolonial approaches to provide new insights into this ongoing conflict. They focus on matters such as the implications of Afghanistan’s lucrative opium trade, the links between the contemporary Taliban movement and major events in the Islamic world and Central Asia since the early twentieth century, and interactions between transnational feminist organizations and the Afghan women’s movement. Several contributors address questions of representation. One looks at portrayals of Afghan women by the U.S. government and Western media and feminists. Another explores the surprisingly prominent role of Iranian filmmaking in the production of a global cinematic discourse about Afghanistan. A Pakistani journalist describes how coverage of Afghanistan by reporters working from Pakistan’s Khyber-Pakhtoonkhwa (formerly the North West Frontier Province) has changed over the past decade. This rich panoply of perspectives on Afghanistan concludes with a reflection on how academics might produce meaningful alternative viewpoints on the exercise of American power abroad.

Contributors. Gwen Bergner, Maliha Chishti, Cheshmak Farhoumand-Sims, Nigel C. Gibson, Zubeda Jalalzai, David Jefferess, Altaf Ullah Khan, Kamran Rastegar, Rodney J. Steward, Imre Szeman

Escaping imprisonment in Missouri in 1839, the Mormon prophet Joseph Smith quickly settled with family and followers on the Illinois banks of the Mississippi River. Under Smith’s direction, the small village of Commerce soon mushroomed into the boomtown of Nauvoo, home to 12,000 and more members of the Church of Jesus Christ of Latter-day Saints.

For Smith, Nauvoo was the new epicenter of the Mormon universe: the gathering place for Latter-day Saints worldwide; the location of a modern-day Zion; the stage upon which his esoteric teachings, including plural marriage and secret temple ceremonies, played out; and the locus of a theocracy whose legal underpinnings would be condemned by outsiders as an attack on American pluralism.

In Nauvoo, Smith created a proto-utopian society built upon continuing revelation; established a civil government that blurred the lines among executive, legislative, and legal branches; introduced doctrines that promised glimpses of heaven on earth; centralized secular and spiritual authority in fiercely loyal groups of men and women; insulated himself against legal harassment through creative interpretations of Nauvoo’s founding charter; embarked upon a daring run at the U.S. presidency; and pursued a vendetta against dissidents that lead eventually to his violent death in 1844.

The common thread running through the final years of Smith’s tumultuous life, according to prize-winning historian and biographer, Martha Bradley-Evans, is his story of prophethood and persecution. Smith’s repeated battles with the forces of evil–past controversies transformed into mythic narratives of triumphant as well as present skirmishes with courts, politicians, and apostates–informed Smith’s construction of self and chronicle of innocent suffering.

“Joseph found religious and apocalyptic significance in every offense and persecution–actual or imagined,” writes Bradley-Evans, “and wove these slights into his prophet-narrative. Insults became badges of honor, confirmation that his life was playing out on a mythic stage of opposition. By the time Joseph led his people to Illinois, he had lived with the adulation of followers and the vilification of enemies for more than a decade. Joseph’s worst challenges often proved to be his greatest triumphs. He forged devotion through disaster, faith through depression. Joseph interpreted each new event as God’s will set against manifestations of evil opposed to the restoration of all things.”

Bradley-Evan’s ground-breaking portrait of Smith goes farther than any previous biography in explaining the Mormon prophet and the mystery of his appeal.

The life of Patrick Edward Connor serves as a half-century slice of western American history. After leaving New York City, where he had arrived at the age of twelve as a poor Irish immigrant, the nineteen-year-old youth joined the U.S. Army in 1839. He fought in the war with Mexico and then joined the gold rush in California until marrying and settling down in Stockton in 1854.

The Civil War found him volunteering again, this time as colonel of California troops sent to the Utah Territory to protect the mail lines from Indian attacks. Bitterly anti-Mormon, Connor spent the war years alternately engaging in a war of words with Brigham Young or in fighting Indians in northern Utah and present-day Wyoming. After the Civil War, ex-Major General Connor began mining operations in Utah and Nevada, ventures that went from boom to bust. He spent his final years in straitened financial circumstances.

Patrick Edward Connor was a “Man of the West,” possessing both its prejudices and its democratic, independent spirit. His greatest success lay as a military leader, and he would have agreed that he was made for war, not peace. He left an imprint on the history of the American West, remembered as the founder of Fort Douglas, as the “first gentile in Utah,” the “father of Utah mining,” and the “father of the Liberal Party in Utah.”

 

Before Rosa Parks and the March on Washington, four African American women risked their careers and freedom to defy the United States Army over segregation. Women Army Corps (WAC) privates Mary Green, Anna Morrison, Johnnie Murphy, and Alice Young enlisted to serve their country, improve their lives, and claim the privileges of citizenship long denied them. Promised a chance at training and skilled positions, they saw white WACs assigned to those better jobs and found themselves relegated to work as orderlies. In 1945, their strike alongside fifty other WACs captured the nation's attention and ignited passionate debates on racism, women in the military, and patriotism. Glory in Their Spirit presents the powerful story of their persistence and the public uproar that ensued. Newspapers chose sides. Civil rights activists coalesced to wield a new power. The military, meanwhile, found itself increasingly unable to justify its policies. In the end, Green, Morrison, Murphy, and Young chose court-martial over a return to menial duties. But their courage pushed the segregated military to the breaking point ”and helped steer one of American's most powerful institutions onto a new road toward progress and justice.

In Glorying in Tribulation, Stetson presents a new dimension of Sojourner Truth's character. Much of the information regarding this oft-quoted African American woman is either the stuff of legend or is in dispute. This important new biography takes both legend and fact and sets them into a larger historical context. The authors utilize archival sources, and other forms of direct and indirect evidence to create a better understanding of Truth. We see her victories as well as her defeats--we see her as a real person. Truth comes alive in the pages of this book through her poignant, prophetic words and we realize that what she spoke of in the nineteenth century is just as relevant to us today. 
      Glorying in Tribulation offers students, scholars, and teachers of American history and culture studies a comprehensive look and a new perspective on Truth's contribution to American history. It is a long-overdue, exciting interpretation of the meaning of Sojourner Truth's life.

 

A New York Times Best Seller
2019 National Book Award Longlist, Nonfiction
2019 Kirkus Book Prize Finalist, Nonfiction
A February IndieNext Pick
Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week
Starred Reviews: Kirkus and Booklist
"Warm, immediate and intensely personal."—New York Times

How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself.

Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.

Transference of orientalist images and identities to the American landscape and its inhabitants, especially in the West—in other words, portrayal of the West as the “Orient”—has been a common aspect of American cultural history. Place names, such as the Jordan River or Pyramid Lake, offer notable examples, but the imagery and its varied meanings are more widespread and significant. Understanding that range and significance, especially to the western part of the continent, means coming to terms with the complicated, nuanced ideas of the Orient and of the North American continent that European Americans brought to the West. Such complexity is what historical geographer Richard Francaviglia unravels in this book.

 Since the publication of Edward Said’s book, Orientalism, the term has come to signify something one-dimensionally negative. In essence, the orientalist vision was an ethnocentric characterization of the peoples of Asia (and Africa and the “Near East”) as exotic, primitive “others” subject to conquest by the nations of Europe. That now well-established point, which expresses a postcolonial perspective, is critical, but Francaviglia suggest that it overlooks much variation and complexity in the views of historical actors and writers, many of whom thought of western places in terms of an idealized and romanticized Orient. It likewise neglects positive images and interpretations to focus on those of a decadent and ostensibly inferior East.

 We cannot understand well or fully what the pervasive orientalism found in western cultural history meant, says Francaviglia, if we focus only on its role as an intellectual engine for European imperialism. It did play that role as well in the American West. One only need think about characterizations of American Indians as Bedouins of the Plains destined for displacement by a settled frontier. Other roles for orientalism, though, from romantic to commercial ones, were also widely in play. In Go East, Young Man, Francaviglia explores a broad range of orientalist images deployed in the context of European settlement of the American West, and he unfolds their multiple significances.

Cheerleading has become a staple in American culture. The cheerleader straddles two contradictory symbolic poles. This individual is an instantly recognized figure representing youthful attractiveness, leadership, and popularity. Yet, for many, the cheerleader is seen as epitomizing mindless enthusiasm, shallow boosterism, and objectified sexuality. This contradictory view is explored in this extensively documented book.

Was polygamy the downfall of the Strangite kingdom or was it something far more ominous and wide-reaching? Vickie Cleverley Speek examines the charismatic figure of James J. Strang and provides a detailed first look at his wives, children, and the Strangite families left behind at his martyrdom. She makes an especially close examination of the practice of “consecration of gentile property” in the Strangite colonies on Beaver Island in Lake Michigan. Were the Strangites guilty of piracy and other crimes, and if so, to what extent?

Strang was considered the prophetic successor to Joseph Smith for the Mormons of the Midwest who later formed the nucleus for the membership of what is now the Community of Christ. Today, 150 years after Strang’s death, about 100 faithful followers in the United States still await the emergence of another prophet to succeed Strang. In the prophetic tradition of Joseph Smith, Strang similarly excavated ancient metallic plates and translated them into the Book of the Law of the Lord and the Rajah Manchou of Vorito. Like Joseph Smith, Strang instigated polygamy, secret ceremonies, baptism for the dead, and communal living. He also introduced a bloomer-like fashion for women, as well as other innovations. Like Joseph Smith, he had himself crowned king of the world.

Where previous treatments of Strang have relied either on inside or outside sources to show either a prophet or charlatan, Speek utilizes all sources, updates the record, corrects previous errors, and shows diverse perspectives. She recounts the turbulent and dramatic events of the 1840s-50s, including the plot to murder Strang and the heartbreaking exile of the Saints from Beaver Island. She traces the dispersion of this once formidable colony of Mormons to the forests of northwest Wisconsin, the far-flung outposts of southwest New Mexico, the hills of Lamoni, Iowa, and to Salt Lake City, Utah.